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The webcam image<\/em><\/a><\/p>\n The work Looking for Painting – Following\u00a0 the webcam at the Neumayer Station, Antarctica daily from June 1st to August 10th in painting <\/em>consists of 63 acrylic paintings. Each painting is 34 x 74 cm and are mounted as a wall installation at Bergen Museum as part of the group exhibition BGO1<\/em>. (2010)<\/p>\n <\/a><\/p>\n The paintings depict images from a webcam in the Antarctica. The camera has stopped and repeat the same monotonous image of a frozen window with a small opening revealing the snow outside.<\/p>\n <\/a><\/p>\n The camera is operated by scientists at the German research-station Neumayer where it usually shows an icy landscape, the horizon and sky. At least during daytime.<\/p>\n Through out the summer of 2010 the webcam image froze, and instead of up-dating every ten minutes, it renderred the same picture over and over again. This was precisely during the period I collected material to paint for the museum exhibition. I had promised the curator to cover one wall with 70 diverse landscape paintings of nights, days, changing weather and distortions. As a painting diary of the summer of 2010 from Atka Bay, painted as it occurs from the webcam images that updates every ten minute.<\/p>\n <\/a><\/p>\n Instead I started to paint after the same frozen image every day and prosumed it soon would start to produce the usual images of the ice-landscape behind the half fallout window. After over 70 paintings the webcam still produced the same frozen image.<\/p>\n <\/a><\/p>\n During the process I used Chicken wire as a pattern while painting the window area, and acrylic paint so I could work fast in layers by layers and each painting in one day acts.<\/p>\n <\/p>\n <\/a><\/a><\/a><\/a>The movements in the studio became like a coreographic dance.<\/p>\n <\/a><\/a><\/a><\/a><\/a>Each painting is different from each other.<\/p>\n